A real treat for me this month as I visited Abbey Road Studios for the first time and was treated to a tour around what is pretty much hallowed ground for audio geeks and music fans, both of which descriptions apply to me. Arrival over the iconic zebra crossing and I was met by Jon Eades from Abbey Road who was kind enough to show us around. First up was Studio 3 for a run down on the history of the studios and of the changes in audio tech that have taken place during its illustrious career. The building was first converted into a recording studio in 1931 by The Gramophone Company, later becoming EMI Studios and finally becoming known as Abbey Road Studios in 1970. We’ve had a couple of students on work placement here from our audio courses at University of Salford over the years and one is still working there today.
Studio 3 was our starting point and is one of the smaller studios here, mostly used for pop and rock music recording – Pink Floyd’s Wish You Were Here was recorded here.
There’s a lovely analogue SSL desk and Pro Tools setup but the most unexpected feature for me was that at one end of the studio sits a 1970s TG12345, perfect and ready to go. The distinctive audio quality of its circuitry is still so in demand that it is still in regular use at Abbey Road.
In fact the mix of classic old and new is a theme throughout the building. The sound of the mixing consoles developed by EMI in the 60s is still considered so good that sessions at Abbey Road often use these TG desks as part of the signal path. The signal is routed through the TG12345 as part of a Pro Tools recording workflow.